critical matter
Here is the Village Voice assessment of the Public's Mother Courage. I find it to be perceptive in almost every detail, proving once again that Michael Feingold is the truly indispensible major theater critic in this town. Never starstruck or a mere peddler of puns, he writes thoughtful reviews that balance an assessment of a production's merits as a theatrical event with a thorough knowledge of its dramaturgical context. In short, he does what a real critic always ought to do.
The real shame of course is that once this review was published the run of the play was essentially over. Will we ever get a good, long run of a major Brecht production in New York? Sadly, I expect that this summer's Courage-ous experiment will not induce anyone else to try their hand at it any time soon.
I've been having a lot of passionate thoughts about theater. Expect more posts soon! (I hope.)


3 Comments:
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Someclamored loudly for the conclusion of the exercises; others gaveutterances in no particularly choice terms to a maturesex impressum variety of opinions asto the schoolmaster's proceedings, varying the note occasionally byshouting, The letters! the letters! why don't you bring out theletters?At length, by means of much rapping on the desk by the president ofthe evening, who was fortunately a popular character, order waspartially restored; and the favorite scene from Miss More's dialogueof David and Goliath was announced as the closing piece.
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